Bakemono Stereo Trial Font

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  Bakemono Stereo Trial font is a fascinating display font designed by a Malaysian-based designer, Azrine Yusof. The font comes in a bold, playful, and decorative style, making it perfect for various design projects. Bakemono Stereo Trial font features irregular shapes, outline styles, and three-dimensional effects, giving it a unique look and feel. This font is a great choice for designing posters, book covers, packaging, branding, and much more. With its versatility and creativity, the Bakemono Stereo Trial font will surely make your design projects stand out.

  *The font resources provided on this site are for personal study and reference only. For commercial use, please obtain authorization from the relevant font manufacturer (copyright holder) via their official website.


  *The universal extraction password for all downloaded files is 9519.
High-Quality Sample of Bakemono Stereo Trial Font  Download [Bakemono Stereo Extralight trial]
Preview Of  Download [Bakemono Stereo Bold trial]
Preview Of  Download [Bakemono Stereo Extrabold trial]
Preview Of  Download [Bakemono Stereo Light trial]
Preview Of  Download [Bakemono Stereo Medium trial]
Preview Of  Download [Bakemono Stereo Regular trial]
Preview Of  Download [Bakemono Stereo Thin trial]

Font Information

  • Designed by:
    Zetafonts
  • License:
    Free for personal use
  • Font styles:
    Basic
  • Authors Note:
    The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
    To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
    https://www.zetafonts.com/bakemono
    For more info about our licenses:
    https://www.zetafonts.com/licensing
    CONTACT US:
    website: https://www.zetafonts.com
    have a question?: info@zetafonts.com
    ---
    Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.
    The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details.   More...
    Bakemono reflects its multicultural nature with its extended latin + Cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced Arabic script) and Bakemono Kana (our first experiment in cjk scripts).